It's almost one o'clock and no time to sketch the little palace. Lowri offers me an afternoon slot as the study room is quiet today but this afternoon I have made plans to visit Laura Boswell and Ian Philips woodblock print and lino print exhibition at the R K Burt Gallery. I thank Lowri and head through the room of Chinese ceramics on my way out pausing to look at the beautifully glazed Northern Song Ru stonewares. Then up the stairs to see the netsuke case in the Japanese gallery.
Japanese Gallery at The British Museum
The Goldfish, the Sleeping Rat and the Kirin are all there behind the glass. I try to take photographs but the light is too dim, again producing grainy, blurred photographs. I open the big wooden doors into the Japanese gallery and immediately in front of me is replica of a wooden tea house with tatami matting and paper sliding doors. Unfortunately you can't step inside the tea house for a rest or a cup of tea so I move on past the earthenware figurines, bronze bells, tarnished mirrors, spearheads, ceramic tombs, vessels, wooden statues of buddhist deities, hand scrolls of the sutras and landscapes, masks, shrines, jars, tea pots, tea bowls, Samurai armour, illustrated books, woodblock prints, paintings.
Two smaller glass cabinets hang on the wall above steps to modern Japan in the next part of the gallery. Both cabinets hold a small collection of netsuke. One with netsuke animals. A monkey clasping its leg, two horses entwined into the shape of a heart, an eagle gripping a tanuki in its claws, a curled up snake , an ox with calf, a deer holding up one hoof and a tiger baring its teeth with its tail whipped round to front of its chest. The second cabinet holds netsuke people. A Chinese official, Dutchman and cockerel, Ainu woman and child, Monkey trainer and monkey, Okame bathing and Naked Chinese woman.