Edmund's Hare with the Amber Eyes
I have been looking forward to making a print of Edmund's Hare, who along with 264 other netsuke has had many adventures, travelling great distances and been on display in many spectacular places. I wonder where Edmund has placed this hare which by now is probably reaching celebrity status. It's photograph published in books, magazines, newspapers and in centre of Edmund's writing page on his website the hare looks out from behind the words 'Gallery' with its paw lifted up and ready to shake your hand. Here you meet Ambassador for Edmund's netsuke collection.
I draw the hare directly on to the tracing paper and rub the tracing onto the plywood. My new tools haven't arrived yet so I continue with blunt tools and rough plywood and begin to carve. I then print the finished carving on some Japon Simile paper and some on Somerset Satin 300gms. It's quite a challenge to get the right mix of nori paste with ink. I've read that you don't need to mix nori with the ink for the key block but I quite like the effect even though, again, it's quite a crude image.
Piebald Rat Gnawing on its Tail
This little rat in Edmund's gallery has a has mischievous nature - holding it's tail up to his mouth nibbling between its paws as if it was an old rope from a sailing ship. I imagine this rat rocking back and forth on the curve of its tail like a see-saw following the carved lines of its own body. Its beady eyes look jet black. In Edmund's description these dark little circles were originally made from Buffalo horn. I print this piebald rat on Japon Simile and Somerset Satin paper. So far I have only printed on dry paper and at some point it will be good to see how these woodblocks print on dampened paper.
Japanese Side Grain Woodblocks 100x150mm
Japanese Paper Brush 3"
Japanese Inking Brush 24mm
Japanese Inking Brush 15mm
Japanese Inking Brush 60mm
1×Bench Hook 200x300mm
Japanese Rice Paste (Nori)
Japanese Carbon Ink 150ml
Chinese Sumi Ink 250g
and 1 Hosho Pad.
I remember using dampened paper on the Japanese Woodblock Printing course back in March 2012 with Peter Brown.
I am looking back through some old folders and find the print I made of a tree. I remember the time and effort we put into the registration for this two colour print. I liked my first print of the green tree but lost all sense of understanding two colour printing by the time I came to making the second print. The registration was fine but the image just didn't work. I knew what I wanted to achieve in my head but the result was nothing like it. I can't remember the name of this paper but it's a lovely texture. I contact Peter Brown to find out what paper we used for to print on the course. He's happy to hear I have found my way back to the wood and reminds me the paper we were using was Japanese Hosho paper. This paper is tough but smooth and is very popular. Intaglio sell it by the pad. I add it to the list.